“Going into Syria itself at the point where we started shooting was basically a suicide mission. Not so much the risks of combat, but the risk of being kidnapped, sold to ISIS and having your head cut off. So we were making a film about the Syrian civil war and we couldn't shoot in the Syrian civil war.”
Michael Barbaro and Zoe Chace in Conversation with Daniel Alarcón
Natalia Antelava talks Putin, Russia and attacks on the LGBT community in "Russia's New Scapegoats"
"I Felt Like a Filmmaker, Not Like a Refugee:" FRONTLINE's 'Exodus'
“When we were in the back of a van crossing Hungary to Vienna, the driver was drunk and all the smugglers had AK-47s... and I remember my cousin looking at me like, I hope you're not filming. But I was secretly holding the camera.”
Exodus’ subject Hassan Akkad on filming himself, and Director James Bluemel on collecting these important stories.
Zoe Chace on Asking Tough Questions and Reporting for This American Life
“There's something spectacular about audio. There's something so intimate about being you know in between those two ears and it's it's been transformational for me... And we're just so lucky that audio happened at this moment when people were craving it. “
NYT The Daily’s Michael Barbaro talks about audio’s appeal with This American Life’s Zoe Chace in a conversation moderated by Prof Daniel Alarcon.