“Going into Syria itself at the point where we started shooting was basically a suicide mission. Not so much the risks of combat, but the risk of being kidnapped, sold to ISIS and having your head cut off. So we were making a film about the Syrian civil war and we couldn't shoot in the Syrian civil war.”
Zoe Chace of This American Life and Michael Barbaro of The Daily speak about the rewards and challenges of making stories for audio, the "tyranny of the good talker," and the sense of intimacy that comes from the voice alone.
“The solution to this whole fake news crisis is not being sucked into it, and covering the story. What we don't want to do is do 'he said, she said' journalism. It's not very good for clicks though.”
“When we were in the back of a van crossing Hungary to Vienna, the driver was drunk and all the smugglers had AK-47s... and I remember my cousin looking at me like, I hope you're not filming. But I was secretly holding the camera.”
"Some people are like, 'Oh I love This American Life!' Those are usually the worst talkers because they're performing for their idea of what This American Life is."